From temple grounds to the vibrant stages of community festivals, one sound often commands our immediate attention – the deep, resonant growl of the Urumi Melam.
The distinctive sound of the double-headed, hourglass-shaped drum, which mimics the roar of a tiger, is an integral part of the Tamil community’s musical identity.
In an effort to bridge the gap between ancient heritage and the modern era, tabla! and Tamil Murasu, in partnership with ATAM, present the documentary series ‘Nam Marabu: An Insight’, delving into the journey of our traditional Indian folk arts.
In today’s Singapore, the Urumi Melam has found its own identity and is in several ways distinguishable from its roots in Southern India. During last year’s ‘Anandha Kondattam’, presented by ATAM, the Urumi’s majestic instrumentation accompanied local artist Yung Raja’s Podu Mike rap piece. This high-energy fusion of traditional percussion and contemporary rap underscored that Urumi is a living, evolving force here.
Sharing about this legacy in the Nam Marabu series is V. Kartish James, 32. A manager in the marine industry by day, Kartish serves as the leader of Veeravel Urumi Melam, where he has spent decades honing his craft.
Having picked up the instrument in his teenage years, he is a practitioner who views the Urumi through a lens of both technical discipline and cultural duty.
In the series, Mr Kartish reflects on his journey and his dream to ensure the art remains accessible and respected by a new generation of Singaporeans.
The history of the Urumi is steeped in folklore. Once reserved for specific ceremonies, the instrument has since found a renewed multi-ethnic resonance in Singapore. Today, it can be heard at various multicultural celebrations and modern stages, asserting a bold voice within our local arts landscape.
‘Nam Marabu’: An Insight offers a rare, firsthand look at the artists who keep these traditional forms alive.
