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Sandeep Narayan debunks Carnatic music myths

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Sandeep Narayan (centre) during a music performance.
Photo: @sandeepnarayan/instagram

Renowned Carnatic musician Sandeep Narayan is on a mission to debunk the myth that Indian classical music is too complex for the general audience.

He firmly believes that music is a universal language that anyone can appreciate, regardless of background or musical knowledge.

“People assume Carnatic music is only for a niche audience, but like any other genre, it connects with emotions,” he explains. “There are raagas for every mood – joy, sorrow, peace – one just needs to listen and experience them.”

Sandeep also highlights the depth and discipline of Indian classical music, where specific raagas are meant to be performed at particular times of the day.

While people generally associate Carnatic music with spirituality, he asserts that “music can be enjoyed without being spiritual, one just needs an open mind”.

Born into a family of musicians, Sandeep’s musical journey began at the age of four. Raised in the United States, he received his initial training from his mother Shubha Narayan, and later travelled to Chennai at 11 to train under the legendary Carnatic vocalist K.S. Krishnamurthy.

After his guru’s passing, Sandeep continued his studies under celebrated Carnatic vocalist Sanjay Subrahmanyan. After completing his bachelor’s degree in California, he made a bold decision to move permanently to Chennai in 2002 and pursue music full-time.

Over the years, Sandeep noticed a decline in young audiences at Carnatic concerts, especially during Margazhi season, the Tamil month known for classical performances. “The number of young listeners has dwindled significantly,” he laments.

Determined to make Carnatic music more accessible and engaging, Sandeep is working on initiatives to introduce traditional music to school children.

“Early exposure fosters deeper appreciation,” he says, hinting at plans to integrate Carnatic music into school curriculums.

Beyond formal education, Sandeep is leveraging social media to reach wider audiences. Through Instagram and YouTube, he shares performances and interactive content, blending tradition with modern engagement strategies.

Married to bharatanatyam dancer Radhe Jaggi, daughter of Sadhguru Jaggi Vasudev, Sandeep has a unique perspective on how technology is shaping traditional arts.

“Social media has changed how we consume music, but it has also created new opportunities for artistes to connect with audiences,” he explains.

He acknowledges trends like “hook music” and short-form content, recognising that adapting to digital platforms is necessary for long-term impact.

Despite the rise of AI-generated music, Sandeep remains confident in the irreplaceable human essence of creativity and emotion.

“AI can mimic sound, but the depth of human expression is beyond its reach,” he says. “In fact, AI will push artistes to enhance their creativity.”

Singapore audiences will get a chance to witness Sandeep’s soul-stirring performance on March 29 at PGP Hall, Sri Srinivasa Perumal Temple.

Organised by the Hindu Endowments Board, the concert aims to immerse attendees in the rich traditions of Carnatic music.

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