In a vibrant celebration of Singapore’s 60th year of independence (SG60), the Buangkok Community Club (CC), under the People’s Association’s Indian Activity Executive Committee (IAEC), has etched its name into the Singapore Book of Records.
The milestone was achieved on Dec 6, 2025, with the successful creation of the largest Singapore-themed Indian canvas painting montage – a three-metre by five-metre community artwork comprising 60 individually painted panels.
The project, which brought together more than 100 participants of various ages and backgrounds, tells the story of Singapore’s evolution – from its humble roots as a trading port and kampong settlements to its emergence as a global hub of innovation and diversity.
What makes this visual narrative unique is that each panel was painted using one of six traditional Indian art forms, combining heritage and history in a celebration of multiculturalism.
A Community Vision Comes to Life
The idea was spearheaded by Ms Shivali Mathur, a seasoned artist, educator, and community arts practitioner, and a member of the Buangkok CC IAEC. “This project was close to my heart because it reflects my belief in the power of community art – collaborative, inclusive, and rich in shared memory,” she said.
From the outset, the initiative was envisioned not as an individual showcase but as a platform for collective creativity and cross-cultural learning. Backed by IAEC chairman Nazir Ahmed, the project became a flagship arts initiative for the newly established Buangkok CC, which officially opened in July 2024.
“We wanted to mark our CC’s first major milestone with something that truly reflects our values – community, creativity, and cultural connection,” said Mr Nazir. “This project brought together over 100 residents to co-create something meaningful and historic. It was deeply inspiring.”
A Journey Through Time – Told in Indian Art
From March to November 2025, the IAEC organised a series of eight structured workshops introducing participants to six traditional Indian art forms – Madhubani, Warli, Gond, Phad, Tanjore, and Rangoli. Through hands-on learning, participants interpreted key moments of Singapore’s journey, translating them into intricate patterns, vibrant colours, and symbolic storytelling.
Each canvas panel represents a distinct phase in Singapore’s development – from kampong scenes to iconic landmarks, nation-building milestones to glimpses of the city-state’s future. When assembled, they form a continuous, vivid tapestry of resilience, harmony, and progress through the lens of Indian artistic tradition.
Inclusive, Interracial and Intergenerational
More than 100 residents – including children, youth, adults, and seniors – participated in the project, most of whom had little to no formal art training. “We made sure that the emphasis was on learning and storytelling, not artistic perfection,” said Ms Shivali. “Everyone had something valuable to contribute, and that’s what made the final piece so powerful.”
The workshops were open to all, and the participant base reflected Singapore’s multicultural identity, with people from different races and walks of life painting side by side. “It was a good bonding time,” said participant Rosmania Mohd Haris. “I learned more about Singapore’s history and Indian art. The mural looks beautiful, and I’m proud to have played a part.”
Record-Breaking Recognition
The final montage was officially unveiled on Dec 6, when it was recognised by the Singapore Book of Records as the Largest Montage of Singapore-Themed Indian Canvas Paintings.
The artwork, now permanently displayed in Buangkok CC’s Function Hall, stretches across two walls and stands as a visual symbol of collective spirit and cultural pride.
“This recognition is not just a record – it’s a testament to what our community can achieve when we come together with a shared purpose,” said Assoc Prof Elmie Nekmat, grassroots adviser to Sengkang GRC (Sengkang Central). “It highlights the dedication of our community leaders and the power of arts in uniting generations.”
Art with a Lasting Impact
More than a record-breaking achievement, the project set a precedent for future community-driven arts initiatives in Singapore. It combined storytelling, heritage education, and visual arts into a participatory model that empowered everyday citizens to become artists of their nation’s journey.
As Ms Shivali reflected: “When art is created together, it becomes more than an artwork – it becomes a shared memory and a bridge between communities. This project was a celebration of that belief.”
santosh@sph.com.sg
